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James VanDemark Zurück
One of the most brilliant virtuosi ever to perform on the double bass, James VanDemark was hailed by the New York Times at his Lincoln Center recital debut as "an exceptionally gifted string player and a musician of taste, intelligence and the best spontaneous musical instincts, with an unerring sense for exact intonation." The San Francisco Chronicle praised his "wonderful facility for making really musical phrases, relaxing, building, shading with unlimited subtleties – and a capacity to dig into whole pages of rip-roaring coloratura and make every note count." VanDemark's duo recitals with André Watts, including one on Lincoln Center's Great Performer Series, and also with Samuel Sanders, Anthony Newman, Barry Snyder, and Robert Spillman have won him great acclaim. Chamber music collaborations with the Guarneri, Cleveland, Colorado, Muir, Ying, and Audubon Quartets, the Los Angeles Piano Quartet, Vienna Schubert Trio, Kandinsky Trio, Gryphon Trio and pianists Gary Graffman, Alfred Brendel, Anton Nel, Anton Kuerti, and Jeffrey Kahane highlight VanDemark's versatility. The recipient of numerous commissioned works, including those by three Pulitzer Prize winners – Gian-Carlo Menotti, Joseph Schwantner, and Christopher Rouse – VanDemark also performed the American premieres of Nino Rota's Divertimento Concertante (Charlotte Symphony) and Edvard Tubin's Double Bass Concerto (Queens Symphony). VanDemark's most recent commission is a solo double bass work by the noted composer/violist Adrienne Elisha. VanDemark recently premiered and recorded the recital work Dana la Colora by composer/cellist Emilio Colon. He also recently premiered the concerto Shiva Shakti by composer Todd Coleman, winner of the Scorch Music Competition, and  performed and recorded Jerod Sheffer Tate's Iyaaknasha' (The Medicine Man and His Helper) with the Columbus (OH) Pro Musica Chamber Orchestra. As a sought-after guest artist at summer festivals, VanDemark performs at the Mostly Mozart, Spoleto, Seattle Chamber Music, Montreal Chamber Music, Round Top, Maverick, Norfolk, South Bank (London), and Newport festivals. Appointed Professor of Double Bass at the Eastman School in 1976, at age 23, VanDemark became the youngest person ever to hold such a position at a major music school. VanDemark is recognized as a  renowned teacher; his students hold positions with many of the world's major orchestras – Cleveland, Pittsburgh, St. Louis, Minnesota, San Francisco, Singapore, Taiwan, and the Vienna Chamber Orchestra, as well as the Rochester Philharmonic, New World Symphony, Oregon Symphony, and the orchestras of Syracuse, Buffalo and Wichita. Currently, VanDemark serves as Co-Chair of the String Department at the Eastman School, and Chair of the Musical Arts Major, Eastman's interdisciplinary academic honors program. As a recording artist, VanDemark can be heard on d'Note Records, Philips, Telarc, Vox, Pantheon, and NEXUS. VanDemark graduated in 1976 from SUNY Buffalo (BFA, Magna cum Laude).  His principal teachers include bassist James Clute and cellist Paul Katz, with additional study with bassist Gary Karr and cellists Gabor Rejto and Leonard Rose.
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